Welcome to #My5, a project that I’ve started, with a few of my fellow authors, across the internet. In this and other posts, we’re going to delve into five things that had influenced our current projects: it could be five people, five books, five songs, five comics or a mixture of some or all—you never know. Why five? It’s an arbitrary limitation, but it’s digestible and prevents these posts from running away from us. If you’re an author and you’re interested in joining us, you can read the introduction post or check out the info at the bottom of this post. So, without further ado, here’s #My 5: The Bell Forging Cycle.

Inspiration comes from everywhere and anywhere, and it’s different for each writer. For me, there are key instances that trigger something in my mind that inspired me to create the world of the Territories.

I tend to pitch The Bell Forging Cycle as “Lovecraftian Urban Fantasy,” which is a relatively narrow descriptive. In my article for Fantasy Book Critic, I described the series as a “dark cyberpunk post-post-apocalyptic dystopian weird western cosmic horror urban fantasy adventure,” which, yeah, was a mouthful. Instead of explaining how all that works, I figured it’d be fun to use #My5 in a way that lets me share how all of those pieces come together.

Five Influences, #1 - The Lovecraft Mythos1. The Lovecraft Mythos

This is the obvious one, but it’s important enough that I need to mention it first. I didn’t start reading H.P. Lovecraft until I was in my early twenties and attending college. While Cthulhu, Azathoth, Yog-Sothoth were on my mind, it wasn’t until a conversation in 2007 with my friend, Josh Montreuil, that I had the idea of mixing the mythos with a story like the one I wanted to write.

Longtime readers of the Lovecraftian mythos can see the signs in the world. The books are set in a world rebuilt after Lovecraft’s Great Old Ones returned, caused an apocalypse, and once again faded into myth. Their influence has a fundamental impact on the world. Landmasses have been reshaped, and humanity is no longer alone; exotic species lifted from the mythos now inhabit the world alongside us. Dark cults from stories like The Call of Cthulhu, The Haunter of the Dark, and The Shadow Over Innsmouth have risen to become large organized religions. While a knowledge of the mythos isn’t necessary to enjoy the books, there’s no denying that Lovecraft’s influence is scattered through everything.

Kowloon Walled City2. Kowloon Walled City

It’s probably no secret that I’m a cyberpunk fan. Books like William Gibson’s Neuromancer, Neil Stephenson’s Snowcrash, and movies like Ridley Scott’s Blade Runner are seminal works in my life. Cities of cement and chrome, coupled with the compression of humanity, were a draw for me. In each of those worlds were millions of stories. So, when I discovered a real world example of those strange, stacked cyberpunk cities, I was fascinated.

Kowloon was a densely populated neighborhood that existed in Hong Kong during the middle of the 20th-century. Thirty-three thousand people lived within 6.4 acres of space stacked atop each other up to a height of 140 ft. The result of this mass was an isolated, multileveled community, filled with all manner of individuals, organizations, businesses, schools, and unique cultures. (Check out this fascinating cross section map or this detailed illustration to see how dense it was.) Kowloon’s existence became the spark that eventually became Lovat. It was the real-life example that triggered my concept of the vast megalopolis by the sea.

Five Influences, #3 - The Dark Tower3. Stephen King’s The Dark Tower

Stephen King’s opus is an early forerunner of genre mixing; an intense blend of western tropes, fantasy locations, and science-fiction problems, mixed with a post-apocalyptic road story starring gunslingers. I started reading the series in high school and quickly devoured what I could until it finally ended in 2004. Up until The Dark Tower series, most of the sci-fi and fantasy I read was fairly conventional.

Seeing this strange new world presented in such a way opened my eyes to what fiction could become. I can still picture walking with the Ka-Tet of Nineteen throughout Mid and Endworld. There is so much to love. The Lobstrosities, Shardik, Blaine the Mono, the city of Lud, the plains of Mejis, the Wolves of Thunderclap, and Devar-Toi are all vivid in my mind, and I continually find myself revisiting the series to this day.

And, if you’re wondering, I absolutely remember the face of my father.

Five Influences, #4 - Bas-Lag

4. China Miéville’s Bas-Lag

I love worldbuilding; I love seeding the potential of new locations and stories throughout prose. If it was King who showed me my first glimpses of weird fiction, China Miéville refined it. Perdido Street Station constructed a world that proved to me that fantasy didn’t have to be elves and dwarves, hobbits and men, orcs and dragons.

His Bas-Lag series—my favorite of which is The Scar—takes those ideas to a whole new level. Strange species crawl through Mieville’s books: bug-headed women, vampires, half-machine hybrids, sentient cacti, tiny gargoyles, disembodied hand-shaped parasites, scabmettlers—the human-like creatures who’s blood congeals to the point that it can become a sort of armor—and that’s just the start. That same approach is applied to everything from governmental structure to economics. Each book opens up new lands and strange new species, and throughout it all, Mieville does it right. He mixes and blends and creates a profound concoction that still stick with me.

Five Influences, #5 - Hellblazer5. HellBlazer (In particular M. R. Carey’s run)

One of the granddaddies of urban fantasy, the Vertigo comic series, follows the magician for hire, John Constantine as he drinks and smokes his way through England, America, Hell, and all parts in between. There is something about his wisecracking ways and indifferent attitude that I love. Constantine is relatable; he isn’t some all-powerful superhero; he isn’t some wealthy playboy; he is a working class stiff who is more clever than good and more determined than heroic.

Constantine is relatable. He is Walter White, a man doing bad things for good reasons. While Waldo Bell isn’t Constantine, there is a similarity between the characters. Both are dogged and driven men who would stop at nothing and go to any lengths to defeat what they see as evil. Heroes don’t always need to be golden paragons of humanity. They can and should be flawed.

So those are #My5, my collection of properties that influenced The Bell Forging Cycle. Each has had a profound impact on me creatively. You can check out my series at bellforgingcycle.com or hit up any of the specific books at the links below to read excerpts and learn more about the world of the Territories.

The Stars Were Right – Old Broken Road – Red Litten World

I’m not alone in collecting #My5! Other authors have joined me and written their #My5. You can find their articles by following the links below. Make sure to look for links at the bottom of their posts as well.

Are you a published (indie or traditional) author who is interested in joining in the #My5 fun? Write your article following the format above (remember, the limit is five), link to your work and others’ posts, and shoot me an email at hello at kmalexander.com, and I’ll add you to the list above and the official #My5 page! You can download the #My5 logo at any of the links below.

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