An Overdue Hiatus

It’s a little odd to post something like this during a lull in my blogging, but I like to keep my readers informed when I will be away from the internet for a bit (as much as you can realistically be “away” these days.) Anyway, this post is to announce that this blog will be dormant—I mean even more dormant—for the next month or so. Why? Well…

Kari-Lise and I are taking our second trip to Scotland! (Our first visit was in 2017. You can read about our experience here.) This trip is long overdue. It was supposed to be for my 40th birthday, but COVID did its thing, and everything was delayed and then delayed some more. But no more. It’s happening. Finally. We’re planning to visit some favorite places (Edinburgh and Islay) and hit up some new spots (Orkney) and generally get lost in the solitude of the open country. We’re really looking forward to it and it should be a good time.

We will be gone most of April, so my current plan is to resume blogging in May. I expect to be writing quite a bit while in Scotland, so I hope to have lots to share upon our return. While away, I’ll almost certainly post to Instagram, so I recommend following me if you’re interested in my travels. And as always, expect a trip report upon my return.


If you’re looking for something to read or explore in the interim, here are a few suggestions:

For more travel-related photos, previous trips, and trip reports check out:


Mar sin leat, and see y’all when we return!


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Watch “The History of Horror” Now!

On Tuesday this week, I had the honor to participate as a guest on a panel for FanFi Addict’s #TBRCon2022. (You might recall I was also a guest last year.) For the uninitiated TBRCon is a completely free online convention for all manner of speculative fiction—horror to science fiction to fantasy. Once again, I had an absolute blast. I joined the “History of Horror” panel moderated by Mother Horror herself, Sadie Hartmann, featuring a great group of fantastic horror writers, including Adam CesareTim MeyerLaurel Hightower, and Gabino Iglesias. I’ve found that people in the horror community are always excited to welcome and meet fellow writers and fans and this group was no exception. Conversations like this feel like conversations with family and given the chance we could have gone on for hours.

#TBRCon22 – “The History of Horror” w/ Sadie Hartmann, Gabino Iglesias, Laurel Hightower, Adam Cesare, Time Meyer, and me.

Like last year, I’ve embedded the recording above. The whole discussion is a little over an hour, and we delve not just into Horror’s history and origins but also where we think it’s going as a genre in the future. In the end, we all give out a ton of fantastic recommendations of some of our favorite recent or classic horror reads and I’ll link those below.

Big thanks to Sadie for her efforts at wrangling us, and thank you to my fellow panelists for being so welcoming. David Walters of FanFiAddict deserves considerable praise for doing so much of the heavy lifting behind the scenes. Be sure to subscribe to all of FanFi’s social media channels, so you don’t miss out on what he’s up to next.

It ain’t over! #TBRCon2022 continues through Sunday, January 30th! You can find out much more here and tune in for free on YouTubeTwitch, and Facebook. Miss a panel you wanted to see? All recordings of previous discussions are posted on FanFi Addict’s YouTube page. Be sure to go back and check out the panels you might have missed. There are a ton of great content to peruse at your leisure.


“History of Horror” Panel Recommendations

At the end of the panel, we all talked about what we were working on and shared some recommendations. I’ve tried to list them all and include any specific books that were mentioned. Links go to the author’s webpage or blog, and most book links will go to Indiebound.(Support your local bookstore!)

Sadie HartmannNightworms

Tim MeyerMalignant Summer

Adam CesareClown in a Cornfield

Gabino IglesiasThe Devil Takes You Home: A Novel

K. M. Alexander – Gleam Upon the Waves

Laurel HightowerCrossroads

Come See Me at TBRcon 2022!

FanFiAddict’s streaming speculative fiction convention TBRcon is coming back next year, and once again, I’m going to be a part of it! Join Moderator Sadie Hartmann (aka Mother Horror) along with Adam Cesare, Laurel Hightower, Gabino Iglesias, Tim Meyer, and myself as we discuss The History of Horror on Tuesday, January 25th, at 10 A.M. PST. Horror panels are always a fun time, and this is a fantastic crew of people. I’m really excited.

The convention will stream online from January 23rd through the 30th and feature live panels and live gaming sessions. I had a great time last year. (Check out my recap here.) Also, be sure to check out the official TBRcon 2022 page for details about the other panels this year, as well as schedules, sponsors, times, where-to-steam, and much more. (I’ll announce details as we get closer to the convention.)

TBRcon is free to stream. So mark your calendars and join us!

A Return to the Indie Pub

Back in May I was lucky enough to be the first guest for J. Rushing’s indie-publishing focused podcast, The Indie Pub. Well here we are a few months later and in the waning days of summer and I’m excited to say I’ve returned to the pub for its tenth episode! Listen to it below.

This time around Jim and I discuss maps—how they’re used in fantasy books, how to go about creating them, and the toolsets I provide to empower creators to make their own authentic looking maps. We had a great discussion and I was happy to share another aspect of the writing process I’m passionate about. I think you’ll dig it.Tell your pals, drop Jim a review, and subscribe to the Indie Pub from any of the links below.



Enjoy the episode everyone!

Trip Report – Santa Fe

The decision was made immediately after Kari-Lise and I got our first dose of the Pfizer Covid-19 vaccine back in May. TRAVEL. Travel was calling. Call it a spontaneous trip or revenge travel, we were hungry for the world. Like everyone else, we’d spent last year social distancing and sticking close to home, doing our part to stop the spread. Now, on our way to being fully inoculated and assured we wouldn’t unknowingly spread the virus to others, we craved a change of scenery—something opposite from the verdant mountains of Western Washington. We plotted our vaccine schedule, figured out the timeline, and booked a trip.

It’s been a decade since we visited Santa Fe, and it’s no surprise the city called to us once again. It’s an easy trip in non-pandemic times and was a place we both wanted to revisit. In May we weren’t sure how everything would play out, but we decided to roll the dice and plan for a trip of a few days exploring the town and the surrounding landscape. It was well worth it. Like any instance of travel, I came away feeling invigorated and creatively inspired. After a year at home, it was good to get away, breathe the thin desert air, and visit a place so unlike my daily experience. As the pandemic recedes in here America, everyone is still feeling out public behavior. But even with the mild awkwardness, the results were a trip comprised of fantastic food, incredible art, and surprising exploration.


The Food

It’s not going to be possible to share this trip without hitting on the copious amounts of delicious food we devoured. New Mexico is the land of the chile, and red and green varieties show up in every menu across the state, no matter what cuisine. When ordering, one is often asked if you want red or green chile—you can also opt for both by ordering your meal “Christmas.” (Yeah, it sounded corny the first time I said it as well. But the place is called Santa Fe. *rimshot*) Neither are particularly spicy despite the many warnings for tourists, but both are complex and flavorful. Trying different combos is worth the effort there’s no wrong choice here. Choose what works for you and enjoy.

Standout meals include the tacos from El Chile Toreado (arguably some of the best tacos I’ve ever had). The Short Rib Birria from Paloma, probably the fanciest dining we experienced on the trip. Solid enchiladas from The Shed (a return visit). And a strange little chile dog from the Taos Ale House; a mess to eat but incredibly delicious.


The Art

The third-largest art market in the United States is an artery running through the heart of Santa Fe along a street known as Canyon Road. (At this point it has spread well beyond Canyon Road, but posterity likes a metaphor.) The narrow lane is lined with over a hundred art galleries and studio spaces full of a variety of art. Everything from contemporary to traditional art, sculpture to jewelry, couture clothing to leather goods is offered somewhere along the route, and it’s easy to lose yourself for half a day or more.


These wind sculptures were quite relaxing.

Much had changed in the decade since our last visit, as one would suspect. Couple that with a receding pandemic and Canyon Road felt like a place awakening from a long slumber. In some spots, masks were optional for the fully vaccinated. Others were still being cautious and requiring masks and social distancing for all guests. We were happy to oblige and spent many hours wandering through the galleries discussing art and finding new favorites.

The standout for me was discovering the work of Grant Hayunga at his own recently opened gallery. His work varies but what stood out were his mixed media pieces that sat somewhere between paintings and relief sculpture. Made of various materials, calcium carbonate, crushed marble, beeswax, Hayunga creates fascinating pieces that explore humanity and our relationship with nature. My favorite from this series is fur trapper a recent piece from this year. He also creates these stunning neo-traditional landscapes, one of which—2016’s Asleep—enthralled both Kari-Lise and me. It’s all beautiful work, easily my favorite of the whole Canyon Road experience. You all need to buy more books from me so I can get one of his pieces.

“fur trapper” 2021, hanging in the Grant Hayunga Gallery

Meow Wolf

Canyon Road wasn’t the only artistic experience of the trip. When we last visited Santa Fe, the art collective known as Meow Wolf was still in its infancy. In the decade since our visit, they have experienced significant growth. Their permanent home in Santa Fe is a former-bowling alley funded by some local guy named George R. R. Martin. It sits near the southwestern edge of the city as is home to their first large-scale interactive art experience House of Eternal Return. It’s amazing. The whole thing plays out like an interactive X-Files episode.

I can write a thousand words on what is inside, but it’ll never do it justice. Even photos don’t really capture the magic. You begin outside a modest home oddly enclosed in a warehouse (the reason why is eventually explained). After you pass through the front door (it’s open), you’ll soon discover a rich story told through journals, newspaper articles, videos, and photo albums, pictures on the wall, toys in the bedroom, and much much more. It all ties the family that resided there and their experiences to the surreal worlds you’ll interact with as you move beyond the House itself. I don’t want to go into too much detail on the experience since the House gives back what you bring, and spoilers remove that sense of wonder. (I even consider not sharing pics.)

I came away feeling inspired by the whole thing and thought it’d be great to someday recreate a corner of Lovat for readers to explore in person. Will it ever happen? I don’t know. My “Old Haunts” project is a small attempt at capturing some of that, and while I love them, being able to do it in person would be so rich and satisfying. Imagine standing outside Russel & Sons with rain dropping down around you, muffled jazz blaring from somewhere above, and the smell of spicy noodles cooking from a push cart down the street. Rad idea, right?

House of Eternal Return isn’t Meow Wolf’s only project. They have another installation that went live this year, and more experiences are planned for the future (Denver and eventually Washington D.C.). We’re already looking at a trip to Las Vegas for one reason: visit Omega Mart. Think cosmic horror as a grocery store chain, and you’d be on track. (Check out some of their ads.) It all sounds as creepy and weird and wonderful as I’d hope. I am excited to explore its aisles in the future.


New Mexico Highlands

On a whim, we decided to leave Santa Fe behind and head out into the country. We did this a decade ago, heading northwest toward Abiquiú and the Ghost Ranch. This time we headed northeast toward Taos. Early-summer storms were sweeping across the land, and you could watch enormous dark clouds trailing tails of rain and shadow for miles. For some reason, I expected more of the high desert environment like what I saw ten years previous. But the land toward the northeast was very different to that of the west, it rose suddenly. As we left the desert behind, we found ourselves in the foothills of the Sangre de Cristo Range of the Southern Rocky Mountains. I’ve grown up among the Rocky’s most of my life. But driving north along highway 68 and looking across the vast Taos plateau and seeing the gorge carved by the Rio Grande was utterly breathtaking. I’ve seen deep valleys before, but never one carved in such flat and open land and from such a height. I still find myself reflecting on that view. Seeing the ground opened up that way was like staring into the vastness of time.

The Río Grande Gorge from the Taos Overlook, off State Road 68 near the “horseshoe.” Photo from the Taos News.

Instead of continuing East across the Rio Grande Gorge Bridge, we decided to loop up into the mountains. We found ourselves in Carson National Forest, taking the High Road to Taos scenic byway back to Santa Fe. This is proper mountain country, think tall trees, deep valleys, tiny communities tucked away into hollows, and vast untouched stretches of forest for miles and miles. It all felt closer to home. Beautiful, but not at all what I anticipated.

So Much More

Santa Fe and the surrounding land can be a bit surreal at times. Modern art and interactive art experiences exist alongside deep history. The Palace of the Governors, erected in 1610, is the oldest public building in continuous use in America. Just down the street is the San Miguel Mission, the oldest church in the United States. Outside of Taos is the Taos Pueblo, the oldest continuously inhabited community in the United States, originating sometime between 1000–1450 A.D. and not discovered by Europeans until the sixteenth century. And that only scratches the surface of what you can find in this small section of the state. This doesn’t even begin to cover other places in New Mexico we were unable to visit, locations like White Sands, Roswell, Carlsbad Caverns, Shiprock, Trinity, the burning of Zozobra, Los Alamos, and so much more. There is a density of wonder here and New Mexico doesn’t hold back and is very much worth your attention.


Advice & Tips

  • You’re going to want to rent a car, this is big country. That said when in town, be willing to walk. There’s so much to see in Santa Fe, and unexpected places are often found on foot.
  • Eat everything. Try new dishes. Explore New Mexican cuisine. Fear no chile. Don’t be put off by location. Sometimes the smallest trucks tucked into the quietest corners can have the best tacos.
  • Scenic byways are your friend in Western States and New Mexico is full of them (High Road to Taos, Turquoise Trail, Santa Fe Trail, among many many others). While slower than major freeways, these routes will give travelers glimpses into a New Mexico easily missed by tourists. The extra time is worth it.

This was my fourth trip into New Mexico, my second to Santa Fe, and easily my favorite of the bunch. Each time I visit, the trips get a little longer, and each time I return I wish I had stayed a few more days. The name “Land of Enchantment” is a fitting one. The terrain there is haunting, rich in history and legend, and it calls to the traveler to take time and explore its wonders.

I’m not going to lie, it’s weird to travel right now, even fully vaccinated. People are rightly nervous, business hours are funky, and what we thought of as “normal” has changed significantly. Traveling at the end of a pandemic requires a lot of patience and copious amounts of kindness and empathy. We’re in a transitional period, and those can be both interesting and weird to navigate. However, it’s still worth it to get away for a time, and allow oneself to experience the world again. It was good to return to New Mexico, and a shame to have waited so long to return. Here’s hoping our next visit comes sooner rather than later.

Old Haunts — Vignettes and Visions from the City of Lovat

Old Haunts, New Location.

Those who tuned into DEAD DROP Live on Tuesday already know this. But for those that didn’t, I wanted to make a quick announcement that Old Haunts have expanded to their own page, and you can check it out here!

As I’ve been rolling out my Reader Resources for The Bell Forging Cycle, I thought it’d be helpful to give them their own space. While they’re similar to the stills you find on Echoes, they’ve grown into their own thing over the last few months. As new ones arrive I’ll keep adding them there. (That page also lets me show off the fun noir-esque title cards.)

If you want to see how these are made, check out Tuesday’s stream of DEAD DROP LIVE—I go into extensive detail. There’s plenty more to come! Keep following me here or over on Instagram to see, uh… new Old Haunts.