de Fer Settlement: A Free 18th Century Brush Set for Fantasy Maps

It’s been a while since I’ve share any new tools for fantasy cartographers. I released my last brush set way back in January. Since then I’ve been a little busy. I launched Gleam Upon the Waves, the fourth novel in my cosmic horror series (you should buy it!), expanded my “Old Haunts” project significantly, and since I was fully vaxxed I took some time after the launch to travel a bit. It was quite an eventful summer. But autumn has arrived in the Northern Hemisphere, and I want to get back into the swing of things and continue supporting the community of fantasy cartographers—I’m long overdue for a new brush set.

All my Map Tools will always be free. Want to help support this work?
Click here to learn how.

Nicolas de Fer in all of his wiggy glory

Let’s fix that! Today I’m releasing the first in a collection of sets all coming from the same cartographer. Nicolas de Fer was a famous eighteenth century French engraver who eventually becoming the official geographer to the Spanish and French court. His work is stunning, and his styles varies depending on what he was depicting and/or plagiarizing. He also wasn’t the most accurate of cartographers. These days most of his work is viewed for its artistic merit as opposed to its historical accuracy. Think of him as a quantity over quality guy. Lucky for us, when it comes to fantasy maps, historical accuracy isn’t something with which we concern ourselves. Instead, we’re looking at signs and symbols that are unique and can help our work stand out while still feeling period-authentic, and de Fer’s work serves us well in that regard.

de Fer Settlement is the first of three planned sets I’ll be releasing. Each will highlight a different aspect of cartography. As the name implies, this first set is focused on settlements. Taken from La Banlieue De Paris—translated “The Suburbs of Paris”—the map is an 18th-century map of the homes, towns, and villages that sprawled across the Parisian countryside in 1717. It’s a diverse set with a lot of little details. While there isn’t much in the way of landforms or flora, the set will work well with any other brush sets I’ve released, allowing for a bit of variety in your fantasy maps. Don’t be afraid to mix-and-match to get the look you want!

The de Fer Settlement set features 300 brushes, and includes the following:

  • 50 Homesteads
  • 13 Mansions
  • 25 Villages
  • 50 Towns
  • 9 Combinations of the Above
  • 7 Unique Settlements
  • 12 Chapels
  • 2 Abbeys
  • 7 Churches
  • 10 Ferry Landings
  • 10 Water Mills
  • 10 Tiny Windmills
  • 35 Windmills
  • 6 Gallows
  • 2 Gibbets
  • 20 Crosses (The French loved erecting random crosses along the roadside.)
  • 5 Fields
  • 3 Big Trees
  • 20 Forests
  • 3 Map Elements

The button below links to a ZIP file that contains a Photoshop brush set (it’ll also work with GIMP and Affinity Photo) as well as a transparent PNG in case you’re using a program that doesn’t support Adobe brush files. Remember, they’re black, so they’ll look broken viewed in some browsers, but trust me, they’re all there.



As with all of my previous brush sets, de Fer Settlement is free for any use. I distribute my sets with a Creative Common, No Rights Reserved License (CC0), which means you can freely use this and any of my brushes in commercial work and distribute adaptations. No attribution is required. Easy peasy!

Enjoy de Fer Settlement? Feel free to show me what you created by sending me an email or finding me on Twitter or heck, leave a comment below. I adore seeing how these brushes get used, and I’d be happy to share your work with my readers (let me know in your message.) Let us see what you make!


de Fer Settlements in Use

3000 x 3000
3000 x 3000
1080 x 1080

Support this Work

Brushes and tools released through the #NoBadMaps project will always be free and released under a public domain CC0 license. If you’d like to support the project and help me cover the cost of hosting, research, and tool-set development, I’ve put together three ways you can help, and all are detailed below.

Buy My Books→

I’m not just a map enthusiast. I’m also a novelist! The easiest way to support me (and get something in return) is by purchasing one of my cosmic horror urban fantasy novels.

Buy Me a Coffee→

A simple and quick way to support the #NoBadMaps project is through a one-time donation of any amount via ko-fi. Your support helps keep this project going and is appreciated.

Join my Patreon→

If you want to continually support the #NoBadMaps project through a reoccurring monthly contribution, consider joining my Patreon and get sneak peeks into what’s coming.


More Map Brushes

This is just one of many brush sets and map tools I’ve released. You can find it and other free brushes covering a wide variety of historical styles on my Fantasy Map Brushes page. Every set is free, distributed under a CC0 license, and open for personal or commercial use. I’m sure you’ll be able to find something that works for your project. Click the button below to check them out!


Want to stay in touch with me? Sign up for Dead Drop, my rare and elusive newsletter. Subscribers get news, previews, and notices on my books before anyone else delivered directly to their inbox. I work hard to ensure it’s not spammy and contains interesting and relevant information. Sign Up Today →

Gomboust: A Free 17th Century Urban Cartography Brush Set for Fantasy City Maps

Gomboust: A Free 17th Century Urban Cartography Brush Set for Fantasy City Maps

Since embarking on my cartography brush project, I’ve gotten several emails from creators asking about city maps. I get the appeal. I love a good city map. While city cartography is as old as ocean charts and landmass-focuses atlases, the reality is that creating them is nowhere near as forgiving as riffing on the physiography of natural landscapes. Unlike the natural world, cities are both rigidly planned (sometimes poorly) and yet still vibrantly organic. That duality comes across in their cartography. No city is the same. Few buildings are the same. For that reason, I was hesitant to adapt some of the early city maps into a brush set—that is until today.

All my Map Tools will always be free. Want to help support this work?
Click here to learn how.

Meet Gomboust, my eleventh free maps set and my eighth of 2019! Unlike the previous sets, this one is entirely focused on urban cartography. Buildings! Hospitals! City blocks! Churches! Cathedrals! Gardens! Palaces! Windmills! Fields! Pillories! Houses! Barns! Wells! Towers! Guard Posts! Even bridges! There is so much in this set, and with it, you can quickly create engaging and vibrant cities—I think you’ll discover it was worth the wait.

Gomboust Sampler

The elements within were extracted from Jacques Gomboust’s 1652 map of Paris. Rendered in an off-kilter isometric perspective that often shifts into… honestly, I don’t even know what you’d call it, it just occasionally gets weird. I mean the map is 367 years old, it’s allowed to get weird. But it’s a good weird. Feels authentic. The map features significant points of interest for the discerning Parisian of the mid-17th century. It’s beautiful—if not a bit strange—with a heavy focus on the religious presence within Paris, its gardens, and palaces.

Wielding these brushes is tougher than landmass focused sets. To capture your vision, you’ll want to plan or at least have a decent knowledge of your tools. Spend some time with the brushes, learn what’s available. Be willing to edit and adjust them, it’ll allow you to make critical decisions and help fully realize your vision. It doesn’t hurt to study the original just so you can understand how each element was used.

Gomboust Sampler #2

I realize the odd shifts in perspective makes things harder—but if utilized properly, it can make for a compelling piece. It works in Gomboust’s original map, and I believe it’ll work in yours. For this reason, I’ve also included textures along with my more traditional “stamp” style brushes. Combined together I think you can get real close to recreating a faux 17th-century urban map and keeping Gomboust’s style alive for years to come.

Gomboust is a large set, maybe my most extensive ever. It sits in at just over 600 brushes total, including (and this list will get long):

  • 70 City Blocks (Multiple buildings)
  • 10 Unique Blocks
  • 15 Barns
  • 50 Houses
  • 10 Farms
  • 5 Mansions (Bigger Houses)
  • 5 Hospitals
  • 10 Towers
  • 10 Gatehouses
  • 5 Palaces (Bigger Mansions)
  • 40 Generic Buildings (Individual buildings, well… kinda)
  • 15 Unique Buildings
  • 10 Chapels
  • 15 Churches
  • 5 Cathedrals
  • 5 Monasteries
  • 5 Unique Religious Buildings
  • 20 Horizontal Walls
  • 10 Vertical Walls
  • 10 Unique Walls
  • 10 Fences
  • 10 Hedges
  • 20 Small Gardens
  • 20 Large Gardens
  • 5 Vertical Rows of Trees
  • 10 Horizontal Rows of Trees
  • 10 Orchards
  • 5 Groves
  • 20 Fields
  • 5 Unique Flora Brushes
  • 10 Bridges
  • 15 Windmills
  • 10 Fountains
  • 10 Wells
  • 10 Crosses
  • 5 Cemeteries
  • 10 Guard Posts
  • 10 Unique Points-of-Interests
  • 10 Ground Texture
  • 10 Untilled Land Textures
  • 10 Water Textures
  • 10 People
  • 10 Horseback Riders
  • 10 Boats
  • 5 Carriages
  • 10 Map Elements
  • 10 Unique Cartouches

The button below links to a ZIP file that contains a Photoshop brush set (it’ll also work in GIMP) as well as a set of transparent PNGs in case you’re using a program that doesn’t support Adobe brush files. I’ve separated them by type City Blocks, Buildings (1), Buildings (2), Natural Elements, and Points-of-Interest & Cartouches. They’re black, and they’ll look broken if viewed in Chrome, but trust me, they’re all there.


DOWNLOAD GOMBOUST


As with all of my previous brush sets, Gomboust is free for any use. As of July 2019, I now distribute my sets with a Creative Common, No Rights Reserved License (CC0), which means you can freely use this and any of my brushes in commercial work and distribute adaptations. (Details on this decision here.) No attribution is required. Easy peasy!

Enjoy Gomboust? Feel free to show me what you created by sending me an email or finding me on Twitter. I love seeing how these brushes get used, and I’d be happy to share your work with my readers. Let me see what you make!


🌏 Gomboust In Use

Want to see this brush set in use? I put together a sample map using Gomboust. There are three versions, a black and white version, one colored, and a decorated sample. Click on any of the images below to view them larger.

Gomboust in use (Black & White)
Gomboust in use (Color)
Gomboust in use (Decorated)

Support this Work

Brushes and tools released through the #NoBadMaps project will always be free and released under a public domain CC0 license. If you’d like to support the project and help me cover the cost of hosting, research, and tool-set development, I’ve put together three ways you can help, and all are detailed below.

Buy My Books→

I’m not just a map enthusiast. I’m also a novelist! The easiest way to support me (and get something in return) is by purchasing one of my cosmic horror urban fantasy novels.

Buy Me a Coffee→

A simple and quick way to support the #NoBadMaps project is through a one-time donation of any amount via ko-fi. Your support helps keep this project going and is appreciated.

Join my Patreon→

If you want to continually support the #NoBadMaps project through a reoccurring monthly contribution, consider joining my Patreon and get sneak peeks into what’s coming.


More Map Brushes

This is just one of many brush sets and map tools I’ve released. You can find it and other free brushes covering a wide variety of historical styles on my Fantasy Map Brushes page. Every set is free, distributed under a CC0 license, and open for personal or commercial use. I’m sure you’ll be able to find something that works for your project. Click the button below to check them out!


Dead Drop: Missives from the desk of K. M. Alexander

Want to stay in touch with me? Sign up for Dead Drop, my rare and elusive newsletter. Subscribers get news, previews, and notices on my books before anyone else delivered directly to their inbox. I work hard to make sure it’s not spammy and full of interesting and relevant information.  SIGN UP TODAY →

Harrewyn: A Free 18th Century Cartography Brush Set for Fantasy Maps

Harrewyn: A Free 18th Century Cartography Brush Set for Fantasy Maps

Topographical elements are often focal points in many historical and fantasy maps. Mountains and rivers, shorelines and steppes, swamps and rolling hills, it’s easy to see why topographers found and still find these elements important. They shape the world around us. They influence lore, legend, and ultimately culture. They challenge humanity.

All my Map Tools will always be free. Want to help support this work?
Click here to learn how.

Yet, in many parts of the world, these features are often nonexistent. Take Eugene Henry Fricx’s Cartes des Paysbas et des Frontieres de France—an incredibly detailed 18th Century atlas of northern France and Belgium that was first published in 1712, then improved upon over a period of twenty-one years before being republished in 1727. If you’ve been to that part of the world, you’ll understand immediately why those features aren’t present. Much of Northern France and Belgium is incredibly flat. I spent some time there earlier this year and while the countryside and farmlands (and beer) are beautiful, I can see how a cartographer would instead choose to focus on other details.

It’s with that introduction that I’m excited to share my latest brush set: Harrewyn. Named after the Dutch engraver Jacobus Harrewijn who may or may not have been dead when this atlas was finished in 1727. While a few landforms and flora symbols persist—hills, forests, and the occasional swamp—they’re not the focus. Instead, Harrewyn chose to emphasize towns and villages, cities and manor houses, farms and windmills, gallows and chapels. It’s a map focused on the developed over the natural.

Harrewyn Sampler

Most of these signs were extracted from a pair of corresponding plates take around the Lille and Menin regions (10-11). The result is a unique brush set with a style that I hadn’t seen before. The traditional influence is apparent, but Harrewyn has added his own flair and it makes these brushes unique. Perfect for a wide variety of projects.

I took some liberties in the organizing—the concepts of Chateaus, Castles, Villages, and Bastides are rough ones and historical documents aren’t clear. Legends weren’t common and usage can be difficult to decipher. (If you have any insight I might have missed, please let me know!) That said, like all of my sets my organization is merely a rough guide. In fantasy maps, anything goes—these signs and symbols represent whatever you want. It’s your project.

Harrewyn is an enormous set, inside you’ll find over 500 brushes, including:

  • 50 Farms
  • 25 Mansions
  • 25 Basic Hamlets
  • 3 Mixed Hamlets
  • 10 Chateaus
  • 60 Villages
  • 5 Mixed Villages
  • 5 Elevated Villages
  • 30 Castles
  • 3 Unique Castles
  • 22 Cities
  • 3 Mixed Cities
  • 15 Inns
  • 20 Chapels
  • 2 Unique Chapels
  • 4 Missions
  • 5 Abbeys
  • 3 Walled Abbeys
  • 5 Forts
  • 5 Redoubts
  • 30 Individual Trees
  • 50 Forests
  • 20 Swamps
  • 20 Hills
  • 4 Battlefield Markers
  • 10 Crosses
  • 20 Gallows
  • 3 Elevated Gallows
  • 25 Individual Windmills
  • 5 Groups of Windmills
  • 10 Elevated Windmills
  • 10 Watermills
  • 6 Unique Points of Interest
  • 3 Cartouches

(I told you it was a lot.) The button below links to a ZIP file that contains a Photoshop brush set (it’ll work in GIMP as well) as well as a set of transparent PNGs in case you’re using a program that doesn’t support Adobe brush files. I’ve separated them by type, Settlements, Flora & Landforms, and Points of Interest & Cartouches. They’re black, and they’ll look broken if viewed in Chrome, but trust me, they’re all there.


DOWNLOAD HARREWYN


As with all of my previous brush sets, Harrewyn is free for any use. As of July 2019, I now distribute my sets with a Creative Common, No Rights Reserved License (CC0), which means you can freely use this and any of my brushes in commercial work and distribute adaptations. (Details on this decision here.) No attribution is required. Easy peasy!

Enjoy Harrewyn. Feel free to show me what you created by sending me an email or finding me on Twitter. I love seeing how these brushes get used, and I’d be happy to share your work with my readers. Let me see what you make!


🌏 Harrewyn In Use

Want to see this brush set in use? I put together a sample map using Harrewyn and you can see a few variants below. Just click on any of the images below to view them larger.

Harrewyn in use (Black and White)
Harrewyn in use (Color)
Harrewyn in use (Decorated)

Support this Work

Brushes and tools released through the #NoBadMaps project will always be free and released under a public domain CC0 license. If you’d like to support the project and help me cover the cost of hosting, research, and tool-set development, I’ve put together three ways you can help, and all are detailed below.

Buy My Books→

I’m not just a map enthusiast. I’m also a novelist! The easiest way to support me (and get something in return) is by purchasing one of my cosmic horror urban fantasy novels.

Buy Me a Coffee→

A simple and quick way to support the #NoBadMaps project is through a one-time donation of any amount via ko-fi. Your support helps keep this project going and is appreciated.

Join my Patreon→

If you want to continually support the #NoBadMaps project through a reoccurring monthly contribution, consider joining my Patreon and get sneak peeks into what’s coming.


More Map Brushes

This is just one of many brush sets and map tools I’ve released. You can find it and other free brushes covering a wide variety of historical styles on my Fantasy Map Brushes page. Every set is free, distributed under a CC0 license, and open for personal or commercial use. I’m sure you’ll be able to find something that works for your project. Click the button below to check them out!


Dead Drop: Missives from the desk of K. M. Alexander

Want to stay in touch with me? Sign up for Dead Drop, my rare and elusive newsletter. Subscribers get news, previews, and notices on my books before anyone else delivered directly to their inbox. I work hard to make sure it’s not spammy and full of interesting and relevant information.  SIGN UP TODAY →

I'm Obsessed with La Machine

I’m Obsessed with La Machine

The French production company La Machine has been producing urban operas since the early 1990s, and to put it simply: they’re stunning. Using wood, leather, copper, or glass, they create enormous mechanical marionettes with a surrealist bent and a bit of a steampunk aesthetic. (This is particularly noticeable in their Elephant marionette.) The movements are precise and that breaths life into the machines. These creations are then used in multi-day operatics with light, sound, steam, music, and even weather effects. I find myself awe inspired every time they perform. But you can just see for yourself in the videos below.

View this post on Instagram

#LongMa🐎🐉, Queen of #ottawa2017 #ottawa #LaMachine

A post shared by Compagnie La Machine (@compagnie_la_machine) on

It’s so cool. New bucket list item: see one of these productions in person. This year’s show was The Guardian of the Temple held in Toulouse, France—it was an interpretation of the myth of Ariadne, who helped Theseus defeat the Minotaur. Each production typically lasts through several acts played out through a city and performed over several days.

You can learn more about La Machine on their website. (I’ll link to the English version.) Be sure to follow them on Facebook and Twitter. They also share much more content over on YouTube and on their Instagram. La Machine has upcoming shows scheduled for Nantes and Calais in France.

I’m excited to see what they do next.


Dead Drop: Missives from the desk of K. M. AlexanderWant to stay in touch with me? Sign up for Dead Drop, my rare and elusive newsletter. Subscribers get news, previews, and notices on my books before anyone else delivered directly to their inbox. I work hard to make sure it’s not spammy and full of interesting and relevant information.  SIGN UP TODAY →

Friday Link Pack 4/11/14

The Most Grotesque Humanoid Monsters of the Early Modern Age

It’s time to share a few interesting links I have found throughout the week. Some of these I mention on Twitter, if you’re not already following me there, please do! Have a link I should feature in the upcoming link pack? Let me know!

Writing:

The Stars Were $2.99
I’m having a sale! For a limited time ebook editions of The Stars Were Right can be purchased for only $2.99! Grab a copy today.

Writing Fiction: 5 Lessons From Game Of Thrones
Nice article from The Creative Pen examining the strategies the creators of HBO’s Game of Thrones use to keep viewers engaged.

The Grimly Grim Hallmark Of Awfully Bad Writing
Thanks to Josh for grimly sharing this grim article about the overuse of grim in modern sci-fi and fantasy. It’s an easy enough fix, but something to be grimly mindful of, even I have grimly observed my own grim use of the word.

Random:

The Firefly Time-Lapse
(The bug, not the series.) Awesome little video of fireflies lighting up the night.

France just made it illegal to answer work emails after 6pm
…and now I want to move to France.

Travel to the alien jungle with the sci-fi short ‘Prospect’
Nice product value. Great atmosphere. A solid 13 minute short that was filmed in my own backyard. Recommended.

The Most Grotesque Humanoid Monsters of the Early Modern Age
io9 collects images from the 15th century depicting disturbing and ultimately sorta silly monsters.

Overlook Hotel Carpet Socks
I MEAN REALLY! LOOK HOW AWESOME THESE ARE!!!

Lovecraft Story of the Week:

Celephaïs
A man and a city and a dream.

Farewell Gif of the Week:

This is what I am like when my wife is out of town.