Friday Link Pack 05/01/2015
Happy Friday! It’s time to share a few links I’ve found over the last few days. Some of these I mention on Twitter, if you’re not already following me there, please do! Have a link I should feature in the upcoming link pack? Click here to email me and let me know! (Include a website so I can link to you as well.) Let’s get to it…
A Question About Editing
Interesting post from Hugh Howey about editing, today’s reader, and the modern expectation of perfection in writing.
The State Of Storytelling In The Internet Age
A quick overview covering how amazing things are to how much of the industry is in flux. It’s now so much easier to reach so many people, and the internet has opened up so many new channels for creators, but new struggles have emerged.
I am wary of the phrase “trigger warning”, and I’m glad to see Neil Gaiman is with me. I highly recommend checking out this post from his new book Trigger Warning: Short Fictions and Disturbances. In this excerpt Neil explores how fiction is supposed to push us, teach us things, and help us grow.
The Story You Want to Read
Fellow author and writing group pal, Michael Ripplinger, explores a specific story arc—the return of an ancient evil—that attracted him to writing. It’s always fun recognizing these sort of things in our writing.
A CthulhuCon Debriefing
Last weekend we didn’t have a Friday Link Pack because I was heading down to Portland for CthulhuCon. How did it go? Fantastic! I break it down in this post, hit the highlights, and share a few pictures.
Artist Transforms The 12 Zodiac Signs Into Terrifying Monsters
I love monsters. Who doesn’t? So I was on board when I saw Damon Hellandbrand‘s take on the familiar zodiac signs. Libra is my favorite.
Catch My Fade – Seamus Conley
So one of Kari-Lise and my favorite artists is Seamus Conley. There’s something so emotional in every one of his pieces. His latest series, Catch My Fade, currently being show at the Andrea Schwartz Gallery in San Francisco, California is nothing short of amazing.
Re-Covered Books Contest: ‘The Old Man and the Sea’
I really enjoy these recover contests that the Fox in Black does occasionally. They’re really handy for indie authors to get some good ideas on cover designs, plus you always find some really beautiful pieces. April’s contest for re-covering Hemingway’s The Old Man and The Sea is no exception.
The Dezeen Guide To Brutalist Architecture
Not everyone is a fan of brutalism, but I am. There’s something so combative about the buildings, something arrogant. I love the brash unapologetic retro-future style. In this article Dezeen Magazine explores brutalism architecture, and discusses how we should preserve the legacy.
It’s Time to Retire “Boob Plate” Armor. Because It Would Kill You
I think we’re all well aware at how ridiculous (and often sexist) “boob plate” armor can be, but armor’s job is safety, and in this article for Tor.com writer Emily Asher-Perrin gives us the best reason to avoid it: it would kill the wearer. [Thanks to Spencer for sharing this.]
18 Delightfully Artistic Vintage STD Posters
These vintage PSAs from the U.S. Army shows their focus of stamping out VD. They are amusing, terrifying, and well… a bit strange. It’s interesting how it seems to point the finger at women and not the male soldiers who were the guys actually doing most of the sleeping around. Ah, good ol’ sexism solidly alive and well in postwar America.
The Wikipedia Entry For Guam, Retold As A YA Novel
The fake-wikipedia article you always wanted to read. Tropes delightfully abound. [Big thanks to Christine for sharing this one. Hilarious stuff.]
Random Wikipedia Article of the Week:
The Hyphen War
“The Hyphen War (in Czech, Pomlčková válka; in Slovak, Pomlčková vojna—literally “Dash War”) was the tongue-in-cheek name given to the conflict over what to call Czechoslovakia after the fall of the Communist government.”
Lovecraft Story of the Week:
The Other Gods
Barzai the Wise and his disciple Atal climb a mountain to gaze upon the gods of the earth and discover more than they bargained for.
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