"Night Garden" A New Series of Painting by Kari-Lise Alexander

Night Garden

I usually can lead into one of Kari-Lise’s show announcements by inviting locals to come out to an opening wherever it happens to be. But since America is still reeling from the pandemic and in-person events are still a long way off, I get to invite all y’all to the fancy virtual opening celebrating Kari-Lise’s latest series Night Garden coming this Thursday, July 9th at Roq La Rue Gallery here in Seattle.

This new series displays a substantial shift toward the new-contemporary movement while still retaining elements of Kari-Lise’s roots in lowbrow and pop-surrealism. Night Garden is fraught with wisps of gothic romance intertwining with introspective observations on the artistic journey with a nod towards growth, hardship, and one’s learned experiences. Realism remains a major aspect, but there’s a seeing a shift towards something else. It’s exciting to see. Her lavish colors, deep shadows, and the way she plays with shifting depth still amazes me. Yeah, I might be biased, but I find this new series enthralling, and I think you will too.

I’ve included a few of my favorite pieces below. Or just head on over to Roq La Rue’s website and see the full show! Be amazed with me!

Kari-Lise Alexander — "Night Garden" oil on linen, 36"x46"
Kari-Lise Alexander — “Night Garden” oil on linen, 36″x46″
Kari-Lise Alexander — "Rose" oil on panel, 9"x12" (Left) and "Bloom" oil on panel, 9"x12" (Right)
Kari-Lise Alexander — “Rose” oil on panel, 9”x12” (Left) and “Bloom” oil on panel, 9”x12” (Right)
Kari-Lise Alexander — "The Artist #2" oil on panel, 15”x30”
Kari-Lise Alexander — “The Artist #2” oil on panel, 15”x30”

While there isn’t going to be a traditional opening, the show can be viewed in person at Roq La Rue between 12-4 PM on Saturdays (masks are required, and no more than four people will be allowed in the gallery at a time.) If you live here in Seattle and are bored at home and looking for something safe to do, you really gotta see these pieces in person. Be sure to contact the gallery with inquiries about any particular piece.

Finally, follow Kari-Lise over on Instagram she shares a lot of amazing things and often documents her process. You can see her past work over on her website. If you’re interested in getting the insider scoop on what she’s doing before anyone else, I recommend you sign up for her newsletter. It’s an excellent way to stay up to date on what she’s doing.


🎬 Watch Overlooked Details

If you haven’t taken the time, make sure to watch the short documentary about Kari-Lise’s work: Overlooked Details, An Artist’s Journey, directed, edited, and filmed by Scott R. Wilson. (It partially documents her work on Inflorescence in 2013/14.) It’s fifteen minutes long and very much worth your time. It’s a raw, heartfelt, open, and vulnerable glimpse into her journey. I’ve embedded it below, and I recommend watching it full screen. You can view the full credits here.


🖼 Kari-Lise’s Previous Series

Interested in seeing Kari-Lise’s previous shows? I’ve written about them before, and I’d encourage you to check them out. Her work has always been incredible, but it’s also amazing to see her shift as an artist documented through the years:

✨🎨✨

2019 in Ten Significant Photos

2019 in Ten Significant Photos

Every December, it has become a tradition to assemble a post wherein I share ten photos from the year that represent the most significant moments of my past 365-ish days. I look forward to this every year. This annual ritual forces thought and introspection in a way algorithm-driven apps like Top Nine avoid. (I ranted about this a bit at length, last year.) It leaves me to ponder how I lived my year. What mattered the most? What experiences drove me? What did I find meaningful? What shaped me as a person, a partner, a creator? What made me or my world around me better?

The rules are simple but firm, pick ten photos from your past year that are the most significant to you: positive or negative—significance can be found in either. But it can’t be more, can’t be less. Some moments will have to fall by the wayside—and that’s intentional—culling is essential. It’ll help create a more realistic picture of your year. Some years will be harder than others and you’ll need to discover significance in the smaller quieter moments. The ten are irascible and relentless.

So, enough talk! Let’s take a look at my 2019 distilled into ten significant photos.


Lime Kiln Trail - 2019New year, old trails. Kari-Lise and I always like starting the year off right by escaping the city and heading into the mountains for a hike. (In this case, the Lime Kiln Trail and easy little seven-miler in the Cascades.) This year was no different. We had big plans to hike more throughout the year, but life got in the way. Still, it’s always refreshing to start a year in nature, and 2019 was no different.


Amsterdam - 2019
In mid-January, we took a trip with our ex-pat pals Kelcey Rushing and Jimmy Rushing to the beautiful (and infamous) city of Amsterdam. It was terrific. Great place. Wonderful sights. Amazing people. Delicious food. We were there nearly a week, it was packed, and I felt like we had barely scraped the surface. There was so much we didn’t see and so much more we could have done—I absolutely want to go back. If you’re interested in more details, read my Amsterdam Trip Report here.


ECCC - 2019
Emerald City Comicon happened, and once again they somehow let me returned as a pro. My buddy Steve Toutonghi and I attended together, and it was a really eye-opening in a lot of ways. As much fun as fan conventions are, I’m much more interested in talking shop, attending readings, and sitting in on discussions about story-craft. That said, it was enjoyable, and there are worse ways one can spend a weekend. Plus, I managed to see some good friends, and Steve and I sat in on some great panels. You can read about my experience in this debriefing.


Finished Manuscript - 2019Roaders celebrate! I finished another manuscript! (Two years in a row!) Gleam Upon the Waves has been a bit of a fight, but I am thrilled with how it turned out. I got some great feedback from my first round of beta readers, and I’ve been neck-deep in revisions since. It’s so close. I can hardly contain myself; I want to share it with everyone! Gleam’s a little different, but it’ll be worth the wait. I promise.


The Vision of Graces - 2019
Early in the summer, Kari-Lise and her friends Laurie Lee Brom and Syd Bee had a three-person show at Roq La Rue Gallery entitled The Vision of Graces. All three artists brought fantastic work, the show sold out, and the turnout was stellar. After moving to Seattle in 2008, I’ve attended hundreds of art openings across the city (and around the world), and this was easily one of the best.


13 Fantasy Map Brush Sets - 2019
I completed a project! A quite large mapping project. One that is really hard to capture in a single image. This year I began to release completely free brush sets for Photoshop that would empower indie authors (and anyone else) to create high-quality fantasy maps for their projects. The goal was to release a free brush set a month, and thanks to some overeagerness in February, I ended with thirteen free brush sets for the year. The response was overwhelming. I couldn’t be more humbled by the reaction, and I’m glad everyone has been so receptive. You can download the brushes from my Free Stuff page.


Two new nieces - 2019I leveled up as an uncle and now can dual-wield nieces! Up until this year, I was only proficient in nephews. Liesel Lynn (Left) was born in August to my brother Anthony and his wife, Aischa. Blakely Michelle (Right) was born in October to my sister Meghan and her husband, Tyler. Aren’t they adorable? I’ll be meeting both for the first time at Christmas, and I cannot wait. And, as a bonus, I have a THIRD niece due next year. Nieces! Nieces EVERYWHERE.


Art Happened - 2019
So. Much. Art. Beyond Kari-Lise’s show we attended two amazing exhibitions with our pal Kai Carpenter at the Seattle Art Museum, we hit up the Seattle Art Fair, and took in many many many art walks. Stand out openings include an incredible show from Rick Araluce and a recent one from one of my favorite artists working today, Peter Fugerson.


Haleakalā National Park, Maui, Hawaii - 2019For Thanksgiving, we went to Hawai’i with Kari-Lise’s family hanging out on O’ahu for a few days and then spending nearly a week on Maui. I’d never been to the Hawai’ian Islands until this year, and I’m generally not a tropical-destination traveler, but the trip was memorable. Even after nine-ish days, I came away feeling like I have unfinished business with Hawai’i. But more on that later—I’m in the process of putting together a more detailed trip report.


The Kari-Lise Klassic - Burke-Gilman Invitational Marathon - 2019On December 14th, Kari-Lise ran her first marathon. This spring, she started running again, and this summer, she decided she would train for a marathon as her eventual goal. We were traveling during the Seattle Marathon, so to complete her goal, she decided to host her own with me running ahead, setting up aid stations along the entire 26.2-mile course. Friends came out and cheered her on, I made her a teeshirt, a few ran with her some part of the way, and one all of the way. She crushed the run, and I couldn’t be more proud.


In Conclusion

Since changing the title last year from “awesome” to “significant,” I find myself taking more time with this list. Much of the labor from 2018 blossomed in 2019. Where last year felt sparse, this year, I found myself culling more than I expected. There were lectures and readings I attended with my friend Steve Leroux. Time in the backyard with Kari-Lise around our fire pit. I got really into smoking meat and making stock—cooking in general, really. Our friends Roxy and Redd deciding to leave Seattle and travel indefinitely (Follow them here.) Then there was the excitement of Moth & Myth, which I’ve barely mentioned here. The Sounders winning another MLS Cup. Birthdays and anniversaries and snowstorms. It was one hell of a year and if I wanted I could have tripled this list. But the rules are the rules, and distilling the year into ten is the requirement—no more, no less.

So, how about you? What did you experience in 2019? What are your ten? Assemble them and leave a comment with a link! Let us all know about the significant events in your year.


Want to revisit photos of past years? Click on any of the links below and check out my pictures from that specific year. I find it fascinating to watch subtle changes year over year.

2014 • 2015 • 2016 • 2017 2018


Dead Drop: Missives from the desk of K. M. AlexanderWant to stay in touch with me? Sign up for Dead Drop, my rare and elusive newsletter. Subscribers get news, previews, and notices on my books before anyone else delivered directly to their inbox. I work hard to make sure it’s not spammy and full of interesting and relevant information.  SIGN UP TODAY →

The Vision of Graces - A three-person show at Roq La Rue Gallery in Seattle Washington, opening June 13th, 2019

The Visions of Graces

If you’re in Seattle next week, and you’re looking for something to do, might I suggest swinging by Roq La Rue Gallery on Thursday, June 13th from 6:00–9:00 PM for the opening of The Visions of Graces, a three-person show featuring my brilliant partner, Kari-Lise Alexander, the always incredible Laurie Lee Brom, and the inimitable Syd Bee. (Be sure to check out Syd’s show from April, Dear Illusions, as well—it’s a stunner.)

Each artist is bringing three to four pieces, and I’m excited to see them up on the walls. I’ve gotten a few glimpses at what’s to come, and I cannot wait for everyone to see the work these talented women have been creating. It’s going to be great. I’ve included a few small previews of what’s to come below, but you’ll soon be able to see more.


Kari-Lise Alexander


Laurie Lee Brom


Syd Bee


A Vision of Graces opens Thursday, June 13th and will run for a month. Both Kari-Lise and I will be at the opening, so if you drop by, be sure to say hello. You can contact the gallery with inquiries about any particular piece. I highly recommend signing up for the Roq La Rue newsletter as soon as possible so you can receive the show preview. You can sign up by filling out the form at the bottom of this page.

Hopefully, I’ll see you there!

✨🎨✨

2018 in Ten Significant Photos

In our ever increasing world of social media, we all share a lot. But how often do we take a moment to look back? If you’re an Instagram user, then I am sure you’ve seen people share their “top nine.” If you haven’t seen these, here’s how they work: the Top Nine app goes through your feed and selects your “top” photos based on the numbers of likes and builds a grid-collage with those photos. It’s always bothered me. A “like” is worthless. It holds no value. It’s applied to photos of new babies and on pics of brunch with equal abandon. Using this as a metric, Top Nine ignores the most meaningful events one’s life in exchange for the false reality of pseudo-engagement.

This ritual is different. By personally selected the ten significant photos that matter the most to ourselves we are forced to reflect—that reflection requires thought and contemplation. We’re forced to choose what mattered and by doing so, we select moments of meaning over moments of popularity.

The rules are simple, pick ten photos from your year that are the most significant to you: positive or negative. Some moments will fall by the wayside, that’s intentional. Culling is important. Focus on what is essential. I’ve been doing this publically for five years now and I look forward to it every year. It puts things into perspective.

Enough talk! Let’s take a look at my 2018 distilled into ten significant photos.


The beginning of 2018 marked a small achievement for us. Kari-Lise and I have lived in Seattle for a decade—I think that makes us locals. I’ve never regretted moving. Much of my year was spent in my city—and I often found myself reflecting on its current challenges and how despite ups and downs living here has changed my life for the better. This town has captured my heart in a way no other place has, and it’s truly become home.


I didn’t attend too many conventions this year. But I did manage to join my friend and fellow writer Steve Toutonghi and attend ECCC 2018 here in Seattle. Overall, it was a great experience to come together with so many and celebrate the stuff we love, be sure to read my con debriefing where I go into more details.


One nice thing about living in the PNW is how easy it can be to escape from the constant rush of urban life. I’d even say it’s a critical part of living here. Mid-spring Kari-Lise and I joined some friends and headed out to the Washington peninsula—we traversed some of our favorite locations in Olympic National Park, Cape Flattery, and along the Strait of Juan De Fuca Highway. I love it out there.


I read a lot this year—Goodreads tells me I’m over 14k pages (and there’s more piling on even as this post goes live.) As usual, my full reading list along with my favorites will be coming after Christmas. It’s been a banner year for me and books, I read so many that I absolutely loved, so many in fact that it’s going to be nearly impossible to choose.


Last year, in my last photo, I talked about unexpected change—for us, it came in the form of our backyard garden plans being completely upended by a fallen tree. This year, we began to work on rebuilding. After a busy summer and fall, most of the structure is in place for something exciting. I can’t wait to see where we end up in a few years. I think it’s going to be something special. (That enormous beast in the foreground is Willamina, our English Lop.)


This summer, Kari-Lise and I celebrated fifteen years of marriage. I’m forever grateful for a partner like her who stands beside me and supports me, and I can’t imagine spending my life with anyone else. She’s an incredible person, and my days would be empty without her. We celebrated by heading up to Whidby Island and spent a long weekend hanging out and exploring. Read the trip report and see more photos here.


Toward the end of summer, Kari-Lise and I flew to New England to attend her brother’s wedding in New Hampshire. Afterward, we extended out Anniversary celebration and took a small road trip to Maine and Acadia National Park, Lovecraft Country (the area not the book,) and then Salem. It was my second visit to New England, and we saw much more of the country than we had before. It’s really a special place. Read the trip report and see more photos here.


Kari-Lise debuted a new project as part of the Lush Life 6 show during the resurrection of Roq La Rue Gallery here in Seattle. Venerate is an ongoing series focusing on modern women artists working today and the connections to pioneering women artists of the past. You can find out more on her site. It’s been exciting to watch her engage with these themes, and I cannot wait for you to see what’s going to happen in this series.


We traded in our two old cars in for one new car—partially to help reduce our carbon footprint but also because we really don’t need more than one car. It’s our first new vehicle in nearly fifteen years, so it’s been a shift. A week and a half after driving it home, the car was hit by a van while parked in a parking lot. So, for the last several weeks, it’s been getting repaired. Thankfully no one was hurt, and insurance covered everything. Still, that’s not exactly what you want to happen to your new car.


Well, I might as well announce this now. Kari-Lise and I are recruiting a crow army, and they work for peanuts. It started this summer with a family of four—two parents and a few fledglings. But it has grown, considerably. Now when we wake up in the morning there’s a whole murder waiting for us. Things are going exactly as planned. Consider yourself warned 2019. We’re coming.


In Conclusion

I changed the title of this series. I thought “significant” carried more weight than the often overused “awesome” and it hits closer to what this ritual attempts to capture. This is, after all, about reflection.

It was harder than I expected to find my ten photos. Usually, I have an abundance, but this year a lot of my experiences were closer to home. There were many circumstances where I kept my phone in my pocket and skipped photo documentation. Instead, I chose to live in the moment. Overall, I think that’s a step in a positive direction, and it’s something I want to keep encouraging in my life.

How about you? What did you experience in 2018? What are your ten?


Want to revisit photos of past years? Click on any of the links below and check out my photos from that specific year. It’s interesting to watch subtle changes year over year.

2014 • 2015 • 2016 2017


Dead Drop: Missives from the desk of K. M. AlexanderWant to stay in touch with me? Sign up for Dead Drop, my rare and elusive newsletter. Subscribers get news, previews, and notices on my books before anyone else delivered directly to their inbox. I work hard to make sure it’s not spammy and full of interesting and relevant information.  SIGN UP TODAY →

Art Happened

Art Happened

It was a busy weekend in the Alexander household, but a fun one. In a wild convergence of entertainment, an enormous collection of events happened in Seattle. Griffey’s number was retired (24EVER!), Seafair—the annual hydroplane races and Blue Angels air show—were going on right outside my backdoor, and art was happening, a lot of art.

Longtime readers know that my amazing wife and partner in this life, Kari-Lise Alexander, is a painter, so art and art-related things were on our agenda for most of the weekend. If you follow me on Instagram, you probably saw my Instagram Stories over the weekend. But, I am a writer, not a photographer, and I wanted to expand on everything a bit more.


THURSDAY

Stars on Her Eyes - Kari-Lise Alexander, 2016
Stars on Her Eyes – Kari-Lise Alexander

It was the first Thursday of August, which meant it was also the First Thursday Art Walk. Kari-Lise had a piece in the Seattle Squared show (this one) at a gallery called Axis. It was a fun little event. It was a good start to our art weekend, and it’s nice to see the neighborhood buzzing with life. I went and hit up another show across the street at a relatively new gallery, and then we bopped over to check out The Drawnk Show. I ended up hanging out with folks until late and arguing why Mad Max was one of the best movies ever made.

 


FRIDAY

The second Seattle Art Fair was taking place, and we made it a point to attend. This year’s event was even better than the last. A ton of amazing work ranging from sculpture to installation was displayed. Choosing a favorite piece was tough, but I think the highlight for me was Hew Locke‘s The Wine Dark Sea, Group 4. What I saw was just a small selection of his full series, but the works were fascinating, intricate, and carried a lot of meaning. There was a lot to unpack.

Hew Locke, The Wine Dark Sea
The Wine Dark Sea, Group 4 – Hew Locke

After spending three hours browsing the fair, we checked out Juxtapoz x Superflat, curated by Takashi Murakami. It was incredible. It was nice to see a new venue in Seattle focusing on new contemporary and pop-surrealist artists. The artists participating are all well established names and it was good to see another presence like that in Seattle.

superflat
Left to right: Selected Sculpture – Elisabeth Higgins O’Connor, Daybreak – Paco Poment

SATURDAY

DeathandtheMaiden
Left to Right: The Arsenic Waltz (Detail) – Redd Walitzki, Abby’s Ghost (Detail) – Travis Louie, Nosto (Detail) – Syd Bee

Roq La Rue has been a mainstay of the Seattle art scene for a long time, and it has become a keystone in the low-brow and pop-surrealism movements. It was the first gallery I ever visited when I moved to Seattle, and I’ve been hitting its events regularly for the last eight years.

PickingthePerfectPoison
Picking the Perfect Poison – Kari-Lise Alexander

Saturday was the launch party for its final show, Death and the Maiden 2. Kari-Lise had a piece in that show as well. Picking the Perfect Poison (pictured right) is one of my favorites and lucky for you prints are available. We spent a majority of the evening at the gallery hanging out with everyone who came out to see the show. It was great to see such a wide selection of Seattle artists represented.

It was also bittersweet. After the pieces come down, Roq La Rue is going away. It closes its doors this September. During the show and at the afterparty, a lot of locals—artists and fans alike—were sharing memories of the gallery and reflecting on how it had impacted our lives. It’s been a focal point of art walks for both Kari-Lise and me, and its exodus will be felt.


So, yeah, art happened and it was amazing. There were a few shows I missed, in particular, the Out of Sight show, which I regret. Our Sunday ended up being much quieter. We didn’t go to any galleries. I did some reading and spent a little time researching. I couldn’t get my brain in a space to write properly (despite my grand intent earlier in the week). Seafair was winding down. The Olympics were on. The Mariners swept the Angels.

It was a good weekend.